Alison Moritsugu, a native of Hawaii and an artist, specializes in painting natural landscapes onto tree trunks. She skillfully adopts the artistic styles reminiscent of the 18th and 19th centuries. However, her purpose extends beyond mere imitation; she strives to juxtapose the serene and idyllic imagery of nature with the tangible evidence of its destruction. Through her art, Moritsugu aims to serve as a poignant reminder that nature is not something to be taken for granted but rather, a precious entity that demands protection and conservation.
In her artist statement, Alison Moritsugu discusses the origins of her inspiration, which can be traced back to artists like Albert Bierstadt and Frederic Edwin Church. These creators’ works were deeply intertwined with the political climate of their time, portraying the land as an abundant Eden, an inexhaustible frontier ripe for human conquest. Moritsugu takes these evocative images out of their conventional setting, the framed canvas, and skillfully paints them directly onto wood slices with the bark still intact. This approach allows her landscapes to stand as a tribute to the idyllic art of the Hudson River School. Yet, upon viewing the painting’s surface – essentially a cross-section of a tree trunk – any sense of nostalgia or celebratory appreciation of nature is immediately countered by the undeniable evidence of its destruction.
Feel free to scroll down and immerse yourself in the captivating artworks. For more of these incredible creations and additional information, be sure to visit Beast Flap’s Instagram.
More info: alisonmoritsugu.com (h/t: colossal)
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